Antonella Radicchi

Antonella Radicchi

Architect and Urbanist, PhD

LIGHT- & SOUNDSCAPES

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DESCRIPTION

Soundscapes and Lightscapes of the Urban Night. Berlin/Florence
Quietness and natural darkness are becoming ever-scarcer goods in cities, especially at night. Therefore, cities have been developing policies and strategies to reduce and mitigate the impact of light and noise pollution at night on human health, quality of life and wellbeing of citizens. Nevertheless, light and sound are rather more complex and ambivalent issues to deal with. Noise, as the negative side of sound, is definetely present in urban planning, as it is the case of light with its positive attributes, even if to a lesser extent. Vice versa, the positive side of sound is much less investigated, as are the negative aspects of artificial light. Moreover, sound and light have in common that they both have quantitative features – such as sound pressure levels and lighting levels – and qualitative ones, which are mediated by individual perception. However, the lack of methods to evaluate the impact on citizen perception in everyday life and the lack of integrated approaches to city pollution are still considered as demanding issues.

Against this background, the “Soundscapes and Lightscapes of the Night. Berlin/Florence” project aimed to fill this gap of methodological knowledge proposing a new experimental, integrated approach to the issues of light and noise pollution at night, through a comparative pilot study conducted in the cities of Berlin and Florence.
In the pilot study, we experimented with a mixed approach, integrating qualitative and quantitative methods. First, we made combined light- and soundwalks in the pilot study areas in Berlin and Florence – a combination, which had not yet been performed, as far as we know. Whereas soundwalks have a rather long history with a consistent body of literature and examples of practices, lightwalks are a much younger phenomenon. Therefore, theory and practice of soundwalking was taken as a reference for defining the new method of light- and soundwalk. Based on the experiences of these combined walks, in the pilot study areas four hot spots were identified where further qualitative analyses were undertaken, such as experimental measurements of sound and light levels, and surveys with passers-by in the street. An extensive analysis of the respective policies and political and legal frameworks in both cities were also conducted by the means of literature review and expert interviews.

The results show very remarkable differences between both cities and prove the great potential of an integrated analysis of quantitative and qualitative data, especially by taking citizen perception into account. These potentials warrant further research.

YEAR

2016-2017

ACKNOWLEDGMENTS

This project was developed in the Fall Semester  2016/2017 with and by the students from the Technical University of Berlin in the frame of the program: Masterprojekt Stadt- und Regionalplanung.
Supervisors: Prof. Dr. Dietrich Henckel (Technical University of Berlin), Dr. Arch. Antonella Radicchi (Technical University of Berlin).
Students: Elena Abt, Hanna Buntz, Jeffrey del Castillo, Rocío Gravino, Anna Loffing, Tim Lukas Lübben, Luisa Multer, Johannes Sichter, Luca Steffhan, Federico Trípoli, Christiane Wichtmann.
The project was awarded the TU Berlin Quality of the Students’ Work (2nd placement). Download the certificate here.

TOSCANA SOUND MAP

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DESCRIPTION

The project came into being for the occasion of the Regione Toscana’s participation at EXPO Milan 2015 and was conceived and created by Antonella Radicchi with the collaboration of Fondazione Sistema Toscana.

Toscana Sound Map transmits information about Tuscany’s spatial, acoustic and temporal aspects for the purpose of representing the soundscape through use of a digital platform and an interactive interface. Furthermore, Toscana Sound Map is an archive of soundmarks, sounds perceived by people as being typical of Tuscany and its identity. The objective is to preserve, endorse and promote them. The recorded sounds have been enriched thanks to the intervention of a composer; in this way, short and original tracks are generated. Lastly, Toscana Sound Map is also a collective project open to the participation of residents and the general public. As Schafer stated, soundscapes can be considered an immense musical composition where we are listeners, performers and composers all at once! Anyone can participate in the development of the sound map by sending in their own sound tracks and following the directions listed in the PARTICIPATE section. Read more here.

YEAR

2015

CLIENT

Fondazione Sistema Toscana, Regione Toscana, EXPO Milan 2015

 

FIRENZE SOUND MAP

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DESCRIPTION

In 2009, I launched Firenze Sound Map – known as the collective “tender” sound map of Firenze – a freelance project resulting from my doctoral research with the aim of 1) representing the Florentine soundscapes from an emotional standpoint through public participation; 2) filling the gap produced by Firenze Noise Map between the representation and the real experience of the city environment. Firenze Sound Map is also an interactive and open source tool of mapping the Florentine soundscapes as it is perceived by city users.

In 2013 the map’s data were shared with the Open Data System of the Municipality of Firenze under the supervision of the Municipality of Firenze (former) Director of Innovation Prof. Giovanni Menduni and Dr. Gianluca Vannuccini. Since then, data have been updated on a yearly basis and can be accessed through the dataset Immaterial Cultural Heritage.

In 2015, I was invited by the Rotary Club Firenze and by the UNESCO Office – Municipality of Firenze – to make a video describing the contet of Firenze Sound Map. The video, called: Firenze Sound Map. A Emotional Journey through Florentine Soundscapes – was presented at the 2015 Unesco Historic Cities Heritage of Peace Conference in Istanbul on April, 4 2015.
This video is an emotional journey through the Florentine soundscapes and is composed of sounds, images and comments which have been shared by tourists, citizens and city users and are part of Firenze Sound Map. It is divided into 5 sections, which represent the main soundscapes of Firenze according to the preferences expressed by Florentine citizens, city users and tourists who so far participated in the project.

YEAR

2009 – ON; 2015 (video)

CLIENT

Independent research project; Rotary Club Firenze, UNESCO Office Municipality of Firenze

 

 

SOUNDSCAPES OLTRARNO

Soundscapes Oltrarno Technology Framework. Image source: Antonella Radicchi (2009)

DESCRIPTION

The Soundscapes Oltrarno project* was developed during the 2007 MIT Digital City Design Workshop and it addressed the renewal of the Oltrarno neighborhood in Firenze by applying the soundscape approach, 2.0 new media and citizen-driven framework.

In Florence, Oltrarno is a diverse neighborhood of social and economic activity including craft workshops, universities, restaurants, churches, and piazzas. These activities produce distinctive and fascinating sounds. This sonic richness is obscured by noise pollution created by automobile traffic. In the future, the act of replacing noisy, gas-fueled vehicles with quiet city cars and scooters will allow Oltrarno to recapture its sound identity.
So, what sounds will substitute for the motors and horns?
Soundscapes Oltrarno aimed to facilitate the creation of spaces through digital technologies that can mitigate the steady drone or deafening roar of automobile traffic.
The audio-based interventions investigated in this study aimed not only to address traffic noise that obscures the sound identities of places in Oltrarno, but also to engage the burgeoning youth culture in the neighbourhood.
Soundscapes Oltrarno used sound to activate, bring content, or call attention to the small spaces, or “nooks,” throughout the neighbourhood that are often overlooked.
Finally, by harnessing digital technologies such as audio spotlights, digital music players, mobile phones, and multi-track recording software – both in the city and on the Internet – Soundsapes Oltrarno established an ‘open source’ process by which neighborhood residents and visitors could create, capture, manipulate and expose sounds in the public spaces of the city.

* A collaboration between Antonella Radicchi and MIT PhD student Francisca Rojas.

YEAR

2007

CLIENT

MIT (USA)

ENERGY FOR THE MADE IN ITALY

DESCRIPTION

As a Scientific Consultant, I worked on the project Architettura: Energia per il Made in Italy (Architecture: Energy for the Made in Italy), led by Prof. Rosario Pavia, researching the best design projects developed by the Italian architectural and engineering firms abroad since 2000. I also served as graphic editor of the final 450-page report of the project and the exhibition.

YEAR

2014 – 2015

CLIENTS

IN/ARCH (the National Institute of Architecture) and MISE (the Italian Minister of Economic Development)

THE FOUR SEASONS

DESCRIPTION

As a Scientific Consultant, I was a member of the curatorial team – led by Arch. Luca Zevi and Prof Rosario Pavia – in charge of curating the exhibition Le Quattro Stagioni. Le Architetture del Made in Italy (The Four Seasons. The Made in Italy Architectures) displayed at the Italian Pavilion for the 13th Architecture Biennial of Venice, Venice (IT).

YEAR

2012

CLIENT

Foundation La Biennale di Venezia